October 2011
9 posts
[Excerpts from Mike Esperanza's "Closer"] →
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[Dance Thesis Goals | September 30th, 2011]
There are two goals for my choreographic process and the actual performance of this dance.
1. Black community I would like to bring an understanding, sense of community and start a dialogue open to all of the colleges about dance and the relationship of Black students to themselves, their communities and the college community.
2. Performing meditation The constant rehearsal of a structured...
September 2011
13 posts
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[Email to Mike Esperanza about his piece Close(r)...
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Subject:RE: ACDF Student, Attn: Mike EsperanzaFrom:Chante(cm12@yahoo.com)To:mike@baredanceco.org;Date:Wednesday, July 21, 2010 5:03 PM
Mr. Esperanza— I have to let you know how appreciative I am of your gracious acquiesence, despite your busy schedule to offer so much information. I look forward to continuing to support your work. You rock. :) Chante ...
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[All of Garth Fagans Works to Date | Sept 17,...
From Before, 1978 Oatka Trail, 1979 Prelude, 1981 revamped 1983 Touring Jubilee 1924 Professional 1982 Sonata & the Afternoon, 1983 Never Top Forty (Jukebox), 1985 Passion Distanced 1987 Time After Before Place, 1988 Until By & If, 1990 Griot New York, 1991—Honnold Mudd AV3972 Moth Dreams 1992 Draft of Shadows, 1993 Postcards: Pressure & Possibilities, 1994 Earth Eagle First...
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[First Rehearsal | Sept. 1st, 2011]
Today my dancers met each other. They sweated & laughed & moved together. It is my goal & my hope that what we learned can be applied to everything. As they connect deeper into what they’re supposed to do in their bodies they find apart of who they’re supposed to be. By finding the physical, and defining the physical (working of muscles, & endurance, & flexibility...
